By removing the very deep bass and using the resonance control to emphasise the bass just above the frequency at which the filter starts to cut the low end you might find the low end you were missing. The filter in bx_subfilter is a sixth order filter, which is steep, with three switchable levels of emphasis available.
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Using an electronic drum set in a live performance where your electronic drum set is being played through a sound system, allows a sound engineer to far more easily balance all of the band’s sounds and create a very produced and well-balanced mix for the audience’s enjoyment. The drums are never too loud nor do they get lost.
The pan knob is located here: Move one of these knobs left, and the signal will drift to the left. Move it right, and the signal will move to the right. 4. Audio processors: These tools, such as equalizers (EQs), compressors, reverbs, delays, and modulation effects, help you shape the sound and add depth to your mix.
Using a lot reverb, you can push a singer into the background. Using a little, you can make it stand out in the mix. Use your ears to find out what’s best for your situation. 7. The kick drum and bass can work together on your low end sound. Try letting the bass give you the tone of the low-end while letting the kick drum win on the attack. 8.
Audio Production Logic Pro. The bass guitar, along with the drums is the foundation of the rhythm section. It needs to sound deep and punchy without overpowering other elements in the mix. We need the bass guitar to groove and supply us with a steady rhythm as well as defining the melodic and chordal structure of the song.
Per-track Equalization to cut unwanted frequencies.Unwanted depends on the instrument and its role in the mix. For bass (less than 250 Hz) try cutting bass on anything that's not a Bass instrument, and any drums that don't need much bass like snares, hats etc. Unwanted low frequencies from the other instruments add together to create a 'rumble' that does little more than waste dB headroom and
